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| en:projects:quasikunst [2019/02/05 07:50] – tanja | en:projects:quasikunst [2019/02/10 11:12] – tanja |
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| Quasikunst is systemic-performative research. According to the single project, Quasikunst is a systemic structure, it defines itself as contrast and underground in all directions. Among the increasingly rationally manifested surfaces Quasikunst means: dissociating, superimposed states, diffuse collectives, abstruse connections, other material, simultaneous saying yes and no. Oppositions question contradictions, contexts are extended by more contexts. | Quasikunst is systemic-performative research. According to the single project, Quasikunst is a systemic structure, it defines itself as contrast and underground in all directions. Among the increasingly rationally manifested surfaces Quasikunst means: dissociating, superimposed states, diffuse collectives, abstruse connections, other material, simultaneous saying yes and no. Oppositions question contradictions, contexts are extended by more contexts. |
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| Quasikunst was a project in 2015-2017 (2015 "Bäumeballett, or: I like Trees and Human Rights", 2016 "Fog Ballet", 2017 "Iceberg / The Entity - 48 Hours Meltdown", 2018 "Windlines +++") within an ongoing art/theory research since 2014, with references to the theory of "quasi-objects". | Quasikunst was a project in 2015-2018 (2015 "Bäumeballett, or: I like Trees and Human Rights", 2016 "Fog Ballet", 2017 "Iceberg / The Entity - 48 Hours Meltdown", 2018 "Windlines +++") within an ongoing art/theory research since 2014, with references to the theory of "quasi-objects". |
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| In 2015, Quasikunst dedicated itself to trees with "I like Trees and Human Rights": Collectives of trees as well as living and dead people were formed. In the underground of a forest floor, people are stuck with their heads in the ground, interrogating contexts, among other things to determine the morality of history and the pollution of the world under the cleaned surfaces. [[http://www.quasikunst.at/index.php/en/the-biomechanical-ballett-or-i-like-trees-and-human-rights/|More Trees]] | In 2015, Quasikunst dedicated itself to trees with "I like Trees and Human Rights": Collectives of trees as well as living and dead people were formed. In the underground of a forest floor, people are stuck with their heads in the ground, interrogating contexts, among other things to determine the morality of history and the pollution of the world under the cleaned surfaces. [[http://www.quasikunst.at/index.php/en/the-biomechanical-ballett-or-i-like-trees-and-human-rights/|More Trees]] |