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| **QUASIKUNST** | |
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| {{:projects:48std_meltdown_the_entity_klein_c_tanja_brandmayr.jpg?nolink&300 |}} | |
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| Strata / clusters / subsoil in all directions / | |
| well-designed opposites / far apart / overlapping states | |
| / diffuse collectives / abstruse communication / | |
| other material / sometimes depth sharpness / | |
| simultaneous yes and no / welcome to quasikunst. | |
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| //STWST-projects in Quasikunst mode:// **Geld / Fassade** | |
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| //Especially Quasikunst projects:// **[[http://www.quasikunst.at/index.php/en/the-biomechanical-ballett-or-i-like-trees-and-human-rights/|Trees]] / [[http://www.quasikunst.at/index.php/en/fog-ballet/|Fog]] / [[http://www.quasikunst.at/index.php/en/iceberg/|Iceberg]]** | |
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| Quasikunst is systemic-performative research. According to the single project, Quasikunst is a systemic structure, it defines itself as contrast and underground in all directions. Among the increasingly rationally manifested surfaces Quasikunst means: dissociating, superimposed states, diffuse collectives, abstruse connections, other material, simultaneous saying yes and no. Oppositions question contradictions, contexts are extended by more contexts. non-equilibrium, non identic. | |
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| {{:projects:quasikunst_baeume_c_tanjabrandmayr_quer-web.jpg?200nolink|}} | |
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| Quasikunst was a project in 2015-2017 (2015 "Bäumeballett, or: I like Trees and Human Rights", 2016 "Fog Ballet", 2017 "Iceberg / The Entity - 48 Hours Meltdown") within an ongoing art/theory research since 2014, with references to the theory of "quasi-objects". As an art and theory research project, the project "Fog Ballett", for example, addressed the issue of equating actor and network in their reflection, linking them in the form of a nebula onto which a human figure was projected. Furthermore, within this equivocal leveling, a contapointed "dialectic turn" of human assertion was proclaimed. [[http://www.quasikunst.at/index.php/en/fog-ballet//|More Fog]] | |
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| In 2017, "Iceberg/The Entity" staged a 2-ton ice block in the darkly lit workshop of the Stadtwerkstatt and thus a 'theater of meaning', a theater of contradictions that were not agreed. The project started from the contexts and contradictions inherent in the material ice and showed a 48-hour meltdown that the audience could attend. In textual reflection, the systemic-dynamic definition of negative entropy, namely the "increase of complexity" was turned into an "increase of contradiction". [[http://www.quasikunst.at/index.php/en/iceberg/|More Iceberg]] | |
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| {{:projects:fog_ballett_c_tanja_brandmayr_ganz_klein.jpg?150nolink|}} {{:projects:klein_eisberg_the_entity3_48_std_meltdown_c_tanja_brandmayr.jpg?200nolink|}} | |
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| In the last years Quasikunst was also one of the superordinate structural concepts within the "Showcase Extravanganza" STWST48. This format runs in parallel in September and in co-op with Ars Electronica. Below: STWST48x2, STWST48x3 | |
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| In line with this parallel approach, both a STWST-produced Quasikunst project will take place in 2018, and Quasikunst will again be used as a term for STWST48 in September. | |
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| **All Quasikunst projects**: [[http://quasikunst.at |QUASIKUNST]] | |
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| **Quasikunst curation**: [[http://stwst48x2.stwst.at/quasikunst |STWST48x2/2016]] [[https://newcontext.stwst.at/!stwst48x3/quasikunst |STWSTx3/2017]] | |
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| **Connection to**: [[https://newcontext.stwst.at/en/new_context_staging|New Context Staging]] | |
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| Quasikunst has been around since 2008 conceptualization and/or artistic work of Tanja Brandmayr. Since 2014 research and projects in the context of Stadtwerkstatt Linz. | |
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