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==== QUASIKUNST ==== | |
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//STWST-projects in Quasikunst mode:// | |
**Geld / Fassade** | |
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//Especially Quasikunst projects:// | |
2015 **[[http://www.quasikunst.at/index.php/en/the-biomechanical-ballett-or-i-like-trees-and-human-rights/|Trees]]** / 2016 **[[http://www.quasikunst.at/index.php/en/fog-ballet/|Fog]]** / 2017 **[[http://www.quasikunst.at/index.php/en/iceberg/|Iceberg]]** / 2018 **[[http://www.quasikunst.at/index.php/wind/|Wind]]** | |
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Quasikunst is systemic-performative research. According to the single project, Quasikunst is a systemic structure, it defines itself as contrast and underground in all directions. Among the increasingly rationally manifested surfaces Quasikunst means: dissociating, superimposed states, diffuse collectives, abstruse connections, other material, simultaneous saying yes and no. Oppositions question contradictions, contexts are extended by more contexts. | |
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Quasikunst was a project in 2015-2017 (2015 "Bäumeballett, or: I like Trees and Human Rights", 2016 "Fog Ballet", 2017 "Iceberg / The Entity - 48 Hours Meltdown") within an ongoing art/theory research since 2014, with references to the theory of "quasi-objects". As an art and theory research project, the project "Fog Ballett", for example, addressed the issue of equating actor and network in their reflection, linking them in the form of a nebula onto which a human figure was projected. Furthermore, within this equivocal leveling, a contapointed "dialectic turn" of human assertion was proclaimed. [[http://www.quasikunst.at/index.php/en/fog-ballet//|More Fog]] | |
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In 2017, "Iceberg/The Entity" staged a 2-ton ice block in the darkly lit workshop of the Stadtwerkstatt and thus a 'theater of meaning', a theater of contradictions that were not agreed. The project started from the contexts and contradictions inherent in the material ice and showed a 48-hour meltdown that the audience could attend. In textual reflection, the systemic-dynamic definition of negative entropy, namely the "increase of complexity" was turned into an "increase of contradiction". [[http://www.quasikunst.at/index.php/en/iceberg/|More Iceberg]] | |
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**Project 2018**: Windlines / Movement A / 48 Hour of Drifting / Disapp (50.000) | |
[[http://versorgerin.stwst.at/artikel/aug-31-2018-1024/windlines-english|Windlines in der Versorgerin]] | |
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**All Quasikunst projects**: [[http://quasikunst.at |QUASIKUNST]] | |
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**Quasikunst curation/projects**: [[http://stwst48x2.stwst.at/quasikunst |STWST48x2/2016]] [[http://stwst48x3.stwst.at/en/quasikunst|STWSTx3/2017]] [[http://stwst48x4.stwst.at/en/quasikunst|STWST48x4/2018]] | |
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**Connection to**: [[https://newcontext.stwst.at/en/new_context_staging|New Context Staging]] | |
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Quasikunst has been around since 2008 conceptualization and/or artistic work of Tanja Brandmayr. Since 2014 research and projects in the context of Stadtwerkstatt Linz. | |
Quasikunst is also one of the superordinate structural concepts within the "Showcase Extravanganza" STWST48. This format runs in parallel in September and in co-op with Ars Electronica. Up: STWST48x2, STWST48x3, STWST48x4 | |
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